Buy Concerto in One Movement (Tuba Solo with Pia at Tuba Sheet Music. A true standard in the Concerto in One Movement. A. Lebedev/arr . Concerto in one movement: tuba and piano, bass trombone and piano / Lebedev ; [rearranged and edited by Allen Ostrander]. Uniform Title. Concertos, tuba. , English, No linguistic content, Printed music edition: Concerto in one movement: tuba and piano: bass trombone and piano / Lebedev. Lebedev, A.
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Grade 6 – Advanced Price: View Shopping Cart Woodwind Instrumentation Codes Following many of the titles in our Wind Ensemble catalog, you will see a set of numbers enclosed in square brackets, as in this example:.
The bracketed numbers tell you the precise instrumentation of the ensemble. The first number stands for Flutethe second for Oboethe third for Clarinetthe fourth for Bassoonand the fifth separated from the woodwinds by a dash is for Horn. Sometimes there are instruments in the ensemble other than those shown above.
Whenever this occurs, we will separate the first four digits with commas for clarity. Thus a double reed quartet of 2 oboes, english horn and bassoon will look like this:. Titles with no bracketed numbers are assumed to use “Standard Instrumentation.
Movemdnt many of the titles in our Brass Ensemble catalog, you will see a set of five numbers enclosed in square brackets, as in this example:. The bracketed numbers tell you how many of each instrument are in the ensemble.
The first number stands for Trumpetthe second for Hornthe third for Trombonethe fourth separated from the first three by a dot for Euphonium and the fifth for Tuba. Titles listed in our catalog without bracketed numbers are assumed to use “Standard Instrumentation.
Following many of the titles in our String Ensemble catalog, you will see a set of four numbers enclosed in square brackets, as in this example:. These numbers tell you how many of each leebdev are in the ensemble. Moveement first number stands for Violinthe second for Violathe third for Celloand the fourth for Double Bass.
Thus, this string quartet is for 2 Violas and 2 Cellos, rather than the usual The system used above is standard in the orchestra music field.
Lebedev, Alexander (Ostrander) Concerto in One Movement [Concerto No 1]
The first set of numbers before the dash represent the Woodwinds. The set of numbers after the dash represent the Brass.
Percussion is abbreviated following the brass. Strings are represented with a series of five digits representing the quantity of each part first violin, second violin, viola, cello, bass. Other Required and Solo parts follow the strings:. Instruments shown in parenthesis are optional and may be omitted. The Beethoven example is typical of much Classical and early Romantic fare.
In this case, the winds are all doubled 2 flutes, 2 oboes, 2 clarinets and 2 bassoonsand there are two each horns and trumpets. There is no low brass. Strings are a standard configuration 4 first violin, 4 second violin, 3 viola, 2 cello, 2 bass. Sometimes strings are simply listed as “str,” which means strings. The second example is common for a concert band or wind ensemble piece.
Lebedev, Alexander (Ostrander) Concerto in One Movement [Concerto No 1] for Tuba Solos w/Piano
Note the inclusion of the saxes after bassoon for this band work. Note also that the separate euphonium part is attached to trombone with a plus sign. For orchestral music, saxes are at the end see Saxophones below. Multiples, if any, are not shown in this system. The numbers represent only distinct parts, not the number of copies of a part. In the third example, we have a rather extreme use of the system. This system lists Horn before Trumpet.
This is concegto orchestral nomenclature. Also, it should be noted that Euphonium can be doubled by either Trombone or Tuba.
Typically, orchestra scores have the tuba linked to euphonium, but it does happen where Trombone is the principal instead. Saxophoneswhen included in orchestral music they rarely are will be shown in the “other instrument” location after strings and before the soloist, if any. Letters that are duplicated as in A in this example indicate multiple parts.
Same work as the Concerto No 1. Published by Edition Musicus in as a movwment edition for either tuba or bass trombone both instruments use the identical solo part.
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There are some minor differences between this edition and the later, more authentic revision as published conxerto Friederich Hofmeister. The most obvious difference in the piano part is the omission of a 4 bar introduction present in the later Hofmeister edition authenticity uncertain.
There are several ritardandos present in the more technically demanding areas that have been added.
Other differences include various articulations, slurs, etc. Most of the edits appear to have been made in an effort to simplify the technical aspects of the work for performance on bass trombone, something the editor thought was necessary at the time he was preparing the edition in There is no orchestral set available for this edition. However, there is an orchestral set available as a rental for the Hofmeister edition mentioned above.
Woodwind Instrumentation Codes Following many of the titles in our Wind Ensemble catalog, you will see a set of numbers enclosed in square brackets, as in this example: Thus a double reed quartet of 2 oboes, english horn and bassoon will look like this: Brass Instrumentation Codes Following many of the titles in our Brass Ensemble catalog, you will see a set of five numbers enclosed in square brackets, as in this example: This is a special instrumentation adopted and perfected by the Philip Jones Brass Ensemble.
It consists of the forces In addition, there are often doublings in the Trumpet section – Piccolo and Flugelhorn being the most common. While this instrumentation has come to be common, it is still not “Standard” as many Brass Dectets use very different forces, most often with more Horns than PJBE.
String Instrumentation Codes Following many of the titles in our String Ensemble catalog, you will see a set of four numbers enclosed in square brackets, as in this example: Other Required and Solo parts follow the strings: Example 1 – Beethoven: Example 2 – Jones: Example 3 – MacKenzie: And finally, here is one more way to visualize the above code sequence: Copland Fanfare for the Common Man [ Beethoven Symphony No 1 in C, op 21 [2,2,2,2,0,0, tymp, ].